Programme Info coming soon
Bach - Prelude and Fugue in G minor, Book 2
Scriabin - Piano Sonata No. 10 Op.70
A. Glazunov - Chant du menestral Op.71
Beethoven - Cello Sonata no.4 in C major Opus 102, No.1
Born in 1995 in Wales, Ben Tarlton studied with Sharon McKinley and Alexander Baillie before being accepted to study at the Yehudi Menuhin School with Thomas Carroll. In 2014 he received a Scholarship to study with Louise Hopkins at The Guildhall School of Music and Drama. After graduating with First class honours, he has been awarded a Scholarship to continue his studies there as a Postgraduate Student, with financial help also from The Countess of Munster Trust and Help Musicians UK.
In May of 2016 Ben was selected as a Fellow to participate in the Piatigorsky cello festival in Los Angeles and in April 2017, he participated in the masterclasses at IMS Prussia Cove, attending Open Chamber Music the following September. He has recently performed chamber music and solo performances in venues such as Milton Court, The Barbican Hall, Wales Millennium Centre and BBC’s Hoddinott Hall.
Pianist Joon Yoon was the unanimous winner of Guildhall School's most prestigious award, the Gold Medal, previsiouly won by artists such as Jacqueline du Pre and Bryn Terfel, for which he was named a BBC rising star, appearing live on BBC Radio 3's In Tune.
Joon has performed in venues such as Palau de la Musica Catalana, Lincoln Center, Seoul Arts Center, and the Barbican Center among others to name. As an avid chamber musician, he has collaborated with prestigious musicians such as current and former members of the Guarneri, Juilliard, and Ying quartets.
He has won top prizes in Campillos International Piano Competition (Spain), Verona International Piano Competition (Italy), among numerous others.
His teachers and greatest musical influences are Yong Hi Moon, Robert McDonald, and Hung-Kuan Chen. He is a graduate of Yale School of Music and The Juilliard School under full scholarship, and is continuing his studies at the Guildhall School in London as an Artist Diploma candidate with Ronan O’Hora.
Debussy - Sonata for cello and piano
Bloch - Méditation Hébraïque
Sollima - Lamentatio
Beethoven - Sonata for cello and piano No.4 in C major, Op.102 No.1
Swiss cellist Timothée Botbol is a Park Lane Group Young Artist, a Yeomen of the Worshipful Company of Musicians and a Concordia Artist. He has given solo performances in the UK, Switzerland, Germany and Italy in venues including St John’s Smith Square, Royal Albert Hall, Kings Place, St James’s Piccadilly, Chapel Royal, Lausanne Steinway Hall and Kultur-Rockt Festival. He has appeared as principal cellist of ensemble Collegium under direction of soloist Lawrence Power, as well as chamber musician in the 2017 Concerts in The West series, the Royal Overseas League and St Martin-in-the-Fields. In February 2017, he was awarded the Grand Prize Special from all categories at the II Augustin Aponte International Music Competition in Tenerife.
Starting his early musical education in Geneva at the Jaques Dalcroze Institute, he later progressed to the Lausanne Haute École de Musique and the Royal College of Music on the Artist Diploma program, under tutorship of professors such as Patrick Demenga, Alexander Chaushian and Richard Lester where he was supported by a Musicians’ Company Lambert Studentship, the Concordia Foundation, the AF Marescotti ville de Carouge Award and the Fondation F & M-F Minkoff. He also has participated in numerous masterclass with renowned cellists such as Gary Hoffman, Franz Helmerson, Jérôme Pernoo and Miklòs Perényi.
A keen orchestral musician, Timothée has performed with the Orchestre de la Suisse Romande, the Orchestre de Chambre de Lausanne, the Orchestre de Chambre de Genève and the European Philharmonic of Switzerland in venues including Geneva’s Victoria Hall, Lausanne’s Salle Metropole and Palais Beaulieu, Montreux’s Auditorium Stravinsky and the Opéra de Vichy, under conductors including Charles Dutoit, Markus Stenz and Christian Zacharias, and with soloists including Martha Argerich and Leonidas Kavakos. He is currently holding a trial position as sub-principal cellist with the Welsh National Opera, with upcoming performances including Birmingham Hippodrome, The Empire - Liverpool, Oxford New Theatre and Cardiff’s Wales Millennium Centre.
In addition to cello, Timothée has performed regularly as a baritone soloist, singing at Geneva’s Victoria Hall accompanied by the Geneva Chamber Orchestra.
Future solo performances include Faversham Music Club, St Margaret’s Church - Westminster, St James’s Piccadilly and a tour in Switzerland with pianist Dinara Klinton.
In great demand as a recitalist, concerto soloist and chamber musician, John Paul Ekins has given performances throughout the UK, and overseas in Azerbaijan, the Czech Republic, France, Germany, Italy, Kuwait, Norway, Poland, Romania, Spain and Switzerland, and he has been broadcast on the BBC, on Romanian national television and radio, and on Polish television. In 2009 he graduated from the Royal College of Music with First Class Honours, and was awarded the James Anthony Horne Scholarship by the Guildhall School of Music & Drama to study with Charles Owen, graduating with Master of Performance (Distinction) in 2011. He has received support from Making Music, The Musicians Benevolent Fund, The Concordia Foundation, The Razumovsky Trust and The Keyboard Charitable Trust.
International Competition successes include as many as 19 awards and prizes, and performances have taken him to prestigious venues such as Bucharest's Athenaeum, Zurich's Tonhalle, Prague's Martinu Hall, London's Wigmore Hall, Royal Albert Hall (where he recently made his concerto debut playing Rhapsody in Blue with Southbank Sinfonia), Queen Elizabeth Hall, Purcell Room, St. Martin-in-the-Fields, Fairfield Hall and Steinway Hall, Birmingham's Symphony Hall. John Paul has been particularly honoured to be presented to Her Majesty The Queen and His Royal Highness The Prince Philip at a Reception for Young Performers at Buckingham Palace.
Educational and outreach work is enormously important to John Paul too, and as well as private teaching he has also given workshops and masterclass-recitals with great success in the UK. He has taught at St. Paul’s School since 2013.
Juan Cazcarra – Almudines
Domenico Scarlatti – Sonata in D minor - K 141
Victor Vlasov - Basso Ostinato
Jose Saenz Garmendia –
Variations on a popular basque song Andre Madalen
Astor Piazzolla - Ave Maria
Moritz Moszkowski - Spanish Capriccio
Franck Angelis - Study on Chiquilín de Bachín
Gioachino Rossini (arr. Alexander Dmitriev) –
Cavatina di Figaro from Il Barbiere di Siviglia
Joaquin Larregla - Viva Navarra
Iñigo Mikeleiz-Berrade was born in 1994 in Barañáin (Navarra) where he started playing accordion at the age of 7. He is now a Master of Arts and Advanced Diploma graduate from the Royal Academy of Music (London).
His aim as a musician is to contribute to show the generally unknown possibilities that accordion can display. Inigo is proud to be a Concordia Artist.
The (mini) Magic Flute
A reimagining of the opera for children
Based on the story and with music from the opera by W.A.Mozart
Join us on a magical adventure....
...As Tamino, a prince from a far away kingdom, goes in search of his princess on a magical, mysterious, sometimes dangerous (sometimes bizarre!) journey... A host of characters, including the comedic bird-catcher Papageno, the wicked Queen of the Night, the princess Pamina - even some animals! - will take you on a musical, magical adventure, in this retelling of one of the most imaginative operas ever written. Designed especially for children, this is the perfect introduction to opera .
Presented in a light-hearted and fresh way by three opera singers and an accordionist, this production, originally devised for Opera North at the CBBC summer social, is inspired by the story of The Magic Flute, in which a prince goes on an adventure in search of his princess, Pamina (with the help of a magic flute and some magic bells!) and encountering many magical creatures along the way... The audience is invited to be part of the story, resulting in a magical, comic, punchy reimagining of Mozart’s opera.
The children will take part in this interactive show while also enjoying a high quality performance by professional actors and musicians in the atmospheric surroundings of St. Paul’s Church, Covent Garden.
Please contact Natasha Day: email@example.com to be added to the Guest List.
Bach - Sonata in E Major BWV 1035, Movements 1 & 2
Faure - Sicilianne Op. 78
Debussy - "Syrinx" for flute solo
Mozart - Rondo in D Major Anh 184
Gluck - Melodie from Orfeo ed Euridice
Paganini-Liszt - La Campanella S.161/3 for piano solo
Mozart - Rondo alla Turca
Debussy - Clair de lune
Tchaikovsky - Aria of Lensky from Eugene Onegin (arranged for
flute and piano by Emmanuel Pahud)
Godard - Idylle and Valse from Suite de trois morceaux, Op. 116
Gershwin - Summertime from Porgy and Bess
Loewe - I could have danced all night from My Fair Lady
Anna Kondrashina is a prizewinner at prestigious competitions in China and Japan. She is currently a Master's student at the Royal Academy of Music in London, in the class of William Bennett.
Marina Kan Selvik is a pianist residing in Oslo, Norway. She is currently taking Master degree at Royal Academy of Music in London. Prizewinner of several international piano competitions, she has given solo recitals and performed as soloist with symphony orchestras in Europe.
Antonio Vivaldi - Sonata in C minor for oboe and continuo
Karl Goepfart - Two character pieces for oboe and piano
Émile Paladilhe - Solo for oboe
Felix Mendelssohn - Allegretto grazioso,
No. 6 from Songs Without Words, Book 5
Marina Drashnikova - Poem for oboe and piano
Camille Saint-Saëns - Sonata in D for oboe and piano
Nicola and Jonathan are an oboe and piano duo, who met at Cambridge University, and who offer recitals and full-length concerts with a mix of duo repertoire for oboe or cor anglais and piano and solo works for oboe, cor anglais and piano.
11/10 - Lizzie Holmes (soprano), Samuel Oram (baritone) & Lucy Culquhoun (piano) - New North London Synagogue, 1.00pm
The Barber of Seville - Largo al factotum by Rossini
Manon - Je suis encore by Jules Massenet
The Merry Widow - Lippen Schweigen by Franz Lehár
The Magic Flute - Papagena, Papagena, Papagena! by W.A. Mozart
Zaide - Tiger! by W.A. Mozart
Edgar - Questo Amor by Puccini
Don Pasquale - Pronta io son by Gaetano Donizetti
Ihr Glocken von Marling by Franz Liszt
The Marriage of Figaro - Crudel! Perche finora by W.A. Mozart
Die tote Stadt - Mein Sehnen by Korngold
Die Fledermaus - The Laughing Song
La Traviata- Brindisi by Verdi
Dorset soprano Lizzie Holmes graduated with Distinction from the Royal College of Music (MPerf) in 2014, prior to this she studied English Literature at Warwick University (BAhons) and was awarded ‘Best Supporting Actor’ (National Student Drama Festival). She is a Concordia Artist and thanks The Carne Trust and Audition Oracle for their 2018 Awards.
Lizzie’s 2018 season includes solo recital debuts at St Martin-in-the-Fields, Royal Albert Hall and Bath Recitals; Mimi & Musetta in the Olivier Award Nominated La Bohème (Trafalgar Studios, King’s Head Theatre); Cunegonde in Candide for Bernstein’s 100th (Minack Theatre, Surrey Opera); Stephano, cover in Roméo et Juliette (Grange Park Opera); Amor in Orpheus & Eurydice (Opera in the City). Lizzie founded DEBUT in 2015, their groundbreaking Concert Series was recently featured in Opera Now & Classical Music Magazine.
Award-winning British Baritone Samuel Oram has recently been performing roles with companies such as Longborough Festival Opera and Opera North. This season he performs with Opera North, in the national premiere of Silent Night (Putts) and, through the Concordia Foundation, Samuel will perform the song cycle Let Us Garlands Bring (Finzi) in November in Switzerland. Samuel studied at The Royal College of Music, under Peter Savidge, and then at the Wales International Academy of Voice under Dennis O’Neil OBE and Dame Kiri Te Kanawa.
Lucy Culquhoun, scholar at RCM, studied with Roger Vignoles winning all accompaniment prizes. She won Somerset Song Prize and RJ-Forbes-Prize (RNCM). She is Britten-Pears and Park-Lane-Group Young Artist and finalist in Oxford Lieder Competition with Julien VanMellaerts. Engagements include Durham University with Sir Thomas Allen, Oxford Lieder Festival, Red House Aldeburgh, St-James’s-Piccadilly, St-Martin-in-the-Fields, Elgar Room, 22 Mansfield Street, British Music Society, Cheltenham Town Hall, Schubert Society, Opera Holland Park and Purcell Room, Southbank, this season.
Lutoslawski - Subito
Beethoven - Sonata no. 8 in G major, Op. 30/3
Frolov - Concert Fantasy on Themes from Porgy and Bess
Julia Hwang gave her professional solo debut with the English National Baroque Chamber Orchestra at the age of nine, performing Bach's Concerto in A minor. She recorded two CDs by the age of twelve and performed with the Royal Philharmonic Orchestra in the same year. In 2015, she became a cultural ambassador for BRACE Alzheimer’s Research, alongside broadcasters Jonathan Dimbleby and Martyn Lewis, and is also a Concordia Foundation Artist.
Julia has appeared many times on live television and radio through the BBC and ITV and, in 2012, she was featured in a BBC4 documentary about ‘The Lark Ascending’ which was re-broadcast due to popular demand. Her latest CD with Charles, recorded with Signum Classics, was reviewed by Gramophone as displaying a “model of expressive purity” (Rob Cowan).
Julia graduated from St John’s College, Cambridge with the 2017 Larmor Award. She currently studies with Itzhak Rashkovsky as an Ian Evans Lombe Scholar at the Royal College of Music. She was the winner of the Senior Award of the Hattori Foundation, and is supported by the Drake Calleja Trust, Talent Unlimited, and the Countess of Munster Trust.
She plays on a Peter Guarnerius of Mantua violin c.1698, on generous loan from the Alderson Trust.
Charles Matthews studied at the Royal College of Music, London, and was an organ scholar at Trinity College, Cambridge.
Charles has won numerous awards, perhaps most notably first prize in the 1999 Franz Liszt Organ Interpretation Competition in Budapest. His most recent solo recording is of Francis Routh's cycle The Well-Tempered Pianist. He has performed for productions by the Royal Opera and Royal Ballet, and recorded music used in various theatres in Spain. A collection of his compositions for flute and piano was published in 2006 by Schott.
Charles teaches piano and organ at the Royal Birmingham Conservatoire, and is conductor in residence for the annual Curso Internacional Matisse at San Lorenzo de El Escorial, Spain.
Johann-Sebastian Bach: Extracts of the Suite for solo cello No.’s 1 & 3
Ralph Vaughan Williams: 6 Studies on English Folk songs
Gabriel Fauré: Après un Rêve
Ernest Bloch: Méditation Hébraïque
Joseph Haydn: Sonata in A Flat Major, Hob.XVI:46 1st Movement
Antonin Dvorak: Silent Wood
Camille Saint-Saëns: The Swan
Gershwin: Summertime (arrangement for cello and piano)
Swiss cellist Timothée Botbol has graduated from the Royal College of Music, is a Park Lane Group Young Artist and Yeomen of the Musician’s Company. He has given solo performances in the UK, Switzerland, Germany and Italy, and is on trial as sub-principal cello with the Welsh National Opera.
Born in 1993 in Corsica, Tony Fallone started his study in Ajaccio, before Paris Conservatoire, with Brigitte Boutinon-Dumas, and Master Bruno Rigutto at “Ecole Normale de Musique” Alfred Cortot. After obtaining his Diploma there, he entered Leon McCawley’s class at Royal College of Music in 2012, to graduate with a Bachelor and a Master in Piano Performance in 2018.
Morricone - Gabriel's Oboe
Elgar - Chanson de Matin
Saint-Saens - Sonata in D for oboe and piano
Debussy – Arabesque no.1
Grovlez - Sarabande et allegro
Rachmaninov - Vocalise
Goepfart – 2 Character Pieces
Scott Joplin – Sun Flower Slow Drag
Breville - Sonatine for oboe and piano, 1st movement
Dring - Italian Song
Ravel - Piece en forme de Habanera
Piazzolla - Oblivion
Nicola and Jonathan are an oboe and piano duo, who met at Cambridge University, and who offer recitals and full-length concerts with a mix of duo repertoire for oboe or cor anglais and piano and solo works for oboe, cor anglais and piano.
G. F. Händel: Sonata for Viola da Gamba and obbligato harpsichord in C Major.
- II: Allegro
B. Britten: Lachrymae op. 48
A. Pärt: Spiegel im Spiegel
A. Piazzolla: Le Grand Tango
Diphonon Duo is a viola and accordion duo formed by the Greek viola player Michael Iskas and Iñigo Mikeleiz-Berrade, accordionist from Navarra (Spain). Michael and Iñigo met in 2015 during their Masters of Arts studies at the Royal Academy of Music (London) and, after discovering they share common musical interests, they decided to establish this ensemble. The word "Diphonon" means in Greek "two voices".
The combination of accordion and viola, bow and bellows, is an unusual duo, however the two instruments have more similarities than we think, since both are able to sustain sound for long time and vary its colour and intensity.
The repertoire performed by Diphonon Duo reaches different styles and ages - from original works for the duo, to transcriptions of baroque and classical music. The duo involve the audience in a journey through time and space, from the 17th century to the present day, and from distant countries such as Argentina, Denmark, Spain, the eastern Mediterranean Sea and Japan.
Diphonon Duo have performed in various venues across the UK such as the Wigmore Hall, Royal Academy of Music or Colston Hall (Bristol). During 2017-18 they were appointed as Wigmore Hall Learning Ensemble. The duo has received coaching and guidance from eminent musicians such as accordionist professor Owen Murray, Mario Stefano Pietrodarchi and Mie Miki and violists James Sleigh, Roger Chase and Garth Knox.
Programme Details TBC
An Sylvia, D. 891, Schubert
Im haine, D. 738, Schubert
Nachtviolen, D. 752, Schubert
Ständchen (Horch! Horch!), D. 889, Schubert
La vie anterieure, Duparc
Let us garlands bring - Finzi
1. Come away, come away death
2. Who is Sylvia?
3. Fear no more the heat o’ the sun
4. O, mistress mine
5. It was a lover and his lass
The Green-Eyed Dragon, Wolseley
Matthew Palmer studied at the Guildhall School of Music and Drama under Robert Dean and will join the prestigious Opera Course there in September 2018. He has sung live on BBC Radio 3's In Tune and made his European debut as Guglielmo Così fan tutte at the Brigitta Festival, Estonia. He has worked for Opera North, Garsington Opera, Grange Park Opera, Glyndebourne Education and recently sang Marcello La Bohème in the Olivier Award nominated production at Trafalgar Studios, London.
Other recent highlights include baritone soloist for Opera North Children’s Choir; Ned Keene Peter Grimes (Dartington Festival) under Sian Edwards; Fiorello and cover Figaro The Barber of Seville (Iford Arts); Captain Corcoran HMS Pinafore (Charles Court Opera); The Mikado & Pish-Tush The Mikado (Charles Court Opera); Guglielmo Così fan tutte (Devon Opera); Escamillo Carmen (Heritage Opera); Conte Robinson Il Matrimonio Segreto (Pop-Up Opera); Mr Ford Merry Wives of Windsor (Duchy Opera).
A regular oratorio soloist, Matthew has performed much of the standard repertoire, including Messiah (Handel); St. Matthew Passion (Bach); Five Mystical Songs (Vaughan-Williams); Ein Deutches Requiem (Brahms); The Seasons (Haydn); Crucifixion (Stainer); Requiem (Mozart); Requiem (Fauré); Coronation Mass (Mozart); Messa di Gloria (Pucini); Messe Solennelle (Gounod); Passio (Pärt); Requiem da Camara (Finzi); Eternal Light Requiem (Goodall) among others varying from new commissions to Bach Cantatas and Haydn Masses.
Matthew is a Concordia Foundation Artist and has performed at LSO St. Luke's, the Oxford Lieder Festival and St. Martin-in-the-Fields amongst others in recital and concert.
Richard Leach is a Shinn Fellow in Piano Accompaniment at the Royal Academy of Music; he has worked with Royal Academy Opera as Assistant Conductor for Le Nozze di Figaro and Suor Angelica and will co-conduct the cover performance of L’Incoronazione di Poppea in May 2016; he was also the Chorus Master for May Night and Ariodante and has been a répétiteur for all of RAO’s productions since Autumn 2012. He was the Assistant Conductor for the Woodhouse Festival 2014 (Cavalleria Rusticana/Pagliacci, Die Zauberflöte) and has worked occasionally with Blackheath Halls Opera and Shadwell Opera as well as OSJ Voices and the London Bach Choir; he is the regular accompanist for Streatham Choral Society and is Organist of Ealing Abbey Choir. He has worked with a number of conductors including Jane Glover, Peter Robinson, Gareth Hancock, Julian Reynolds and Nicholas Jenkins and has played for masterclasses with Roger Vignoles, Susan Bullock and Simon Keenlyside. As a song recitalist he has performed at the Holywell Music Room, Charlton House and other venues. Richard studied at Oxford and the Royal Academy of Music.
Mozart - Il Mio Tesoro
Tosti - L’ultima Canzone; Ideale; Aprille
Lalo - Vainement, ma bien-aimee (Le Roi D’Ys)
Frank Bridge - Go not Happy Day; E’en as a lovely Flower; O that it were so; Love went A riding
Quilter - Now sleeps the crimson petal; June
Alexander Grainger is a Yorkshire based promising young tenor. He studied under with Paul Nilon at the Royal Northern College of Music, graduating with a Postgraduate Diploma in Performance. Alexander has performed extensively across Britain and Europe, recent performances include Alfredo (La Traviata), Ferrando (Cosi Fan Tutte) with Opera Devon and also Gastone ( La Traviata) Manx Opera festival on the isle of Man. Alexander is also a keen performer of Contemporary Opera, debuting roles in ‘A Christmas Meeting’ and also several in ‘Too Hot to Hoot’ as part of the Classical Sheffield Festival with Opera On Location. Alexander has also covered Aufidio (Lucio Silla), Arturo (Lucia Di Lammermoor) and the Mayor (Albert Herring) at Buxton Opera festival. In 2018 Alexander was excited to be work at Glyndebourne festival for the first time, covering the role of Footman in Der Rosenkavalier (Strauss). Alexander’s studies were kindly supported by the Andrew Lloyd Webber Foundation and he is proud to be a Concordia Artist.
Natalie Burch is widely in demand as a song pianist across the UK. She won the accompaniment prize at the 2015 Maureen Lehane Awards at Wigmore Hall, was a finalist alongside the 2nd Prize winner at the 2017 Kathleen Ferrier Awards and is a current Britten-Pears, Leeds Lieder and Samling Young Artist. She was a finalist in the 2017 Somerset Song Prize, received the Sam Hutchings Prize to study at Oxenfoord with Malcolm Martineau and a Help Musicians grant to study at the 2018 International Lied Festival, Zeist. Natalie is co-founder of SongSpiel, a multi-voice chamber ensemble and is artistic director of the Devon Song Festival.
Natalie is a staff pianist at the Guildhall School of Music & Drama where she gained her masters with distinction. She formerly studied at Chetham’s School of Music and in 2014, graduated with first class honors from King's College London in musicology with piano at RAM.
J.S. Bach - Prelude and Fugue in C minor, WTK Book 2
W. A. Mozart - Sonata in D major, K311
F. Schubert - Two Impromptus Op. 90,
No. 3 in G flat major & No. 4 in A flat minor
J. Brahms - Intermezzo Op. 118 No. 2 in A major
A. Scriabin – Sonata No. 4 in F sharp major, Op. 30
F. Chopin - Andante Spianato et Grande Polonaise Brillante, Op. 22
David Malusà is a prizewinner of several national and international competitions, including The 16th Jaques Samuel Intercollegiate Piano Competition. He was then invited to make his debut recital at the Fazioli Concert Hall in Sacile and the Wigmore Hall in London – a CD was released under S.W. Mitchell Capital Records of this later live performance. Malusà was appointed Associate Teacher for the Pianoman Scholarship Scheme and Music Director for the charity, Hearts in Harmony. He is also proud to have performed in a variety of projects lead by the Concordia Foundation over the past few years.
Cecile Chaminade - Concertino Op. 107
J. S Bach - Orchestral Suite No.2 in B Minor. (Rondeaux- Polonaise- Minuet-Badinerie)
Claude Debussy - Syrinx for solo flute
Ian Clark - Orange Dawn
Tchaikovsky - Lensky's Aria from Eugene Onegin
Ian Clark - Out of the Cool
Bizet - Carmen Fantasy arr. by F. Borne
Sofia Castillo has recently graduated from the Royal College of Music, London in a Master of Performance as a Doctor Knobel Fund Scholar with Sue Thomas, Celia Chambers and Stuart McIlwham. She was awarded the 2017 RCM Solo Flute Prize and The Edward and Helen Hague Senior Woodwind Prize and is proud to be a Concordia Foundation Artist.
Sofia has recently been appointed a chair with the Sinfonia Cymru. She has also performed with orchestras including YMSO, Hastings Philharmonic, Royal Orchestral Society, Orion Orchestra, Westminster Opera Orchestra, the National Youth Jazz Orchestra and International Opera Theatre Orchestra of Philadelphia. Working with conductors such as Vladimir Jurowski, Thomas Zehetmair, Nicholas Collon, Martin Andre and Garry Walker. Last Christmas Sofia performed with the Lebanese Philharmonic Orchestra in Beirut with the Peace and Prosperty Trust to fundraise and provide musical instruments for displaced Syrian children, culminating in a performance at a refugee school in the Beqaa Valley.
She has premiered and recorded works by various composers and has done numerous recordings for short films , video games and documentaries such as the BBC ‘Horizon’ programme, the audio production/software company ‘Auddict’ and the Musical Productions 'Rainfall'.
Simone has completed recently a Master of Performance at the Royal college of Music in London and has given solo recitals internationally, including the United Kingdom, Denmark, Hungary, France, Germany, Spain, Malta, Greece and across Italy. He has featured as a soloist with international orchestras and performance venues have included the Liszt House (Budapest, Hungary), Florence Conservatory Concert Hall (Florence, Italy), the Royal Festival Hall, Victoria & Albert Museum, Regent Hall, St. James’ Piccadilly (London. U.K.), and Hausmusik of Aarhus (Aarhus, Denmark).
In 2016, Tavoni has been awarded a place on the BBC Pathway scheme and performed as a member of the BBC Symphony orchestra and his performances were recorded by BBC Radio 3.
Gunther Schuller -
Suite for Wind Quintet 1.Prelude
Samuel Barber - Summer Music
Paul Hindemith -
Kleine Kammermusik, Op. 24, No.2 1.Lustig
3.Ruhig und einfach
4.Schnelle Viertel 5.Sehr lebhaft
George Gershwin - I Got Rhythm for wind quintet, arr. A. Skirrow
Cavendish Winds is an award-winning wind quintet formed at the Royal Academy of Music in 2014. They have performed in concerts, educational projects, and competitions throughout the UK and abroad and are establishing a reputation as one of country’s leading chamber ensembles. Highlights include recitals at Wigmore Hall, Saint Martin-in-the-Fields, Saffron Hall, Kings Place Festival, and a private fundraiser event performance for the Elton John AIDS Foundation. Cavendish Winds are Concordia Foundation Artists, were finalists in the 2016 Royal Overseas League competition and are recipients of the Tunnell Trust Award 2017-18. The quintet are delighted to have been selected as Making Music Artists for 2019-20.
Cavendish Winds are passionate about sharing music in the wider community and regularly work with people of all ages and backgrounds, from toddler and schools workshops to relaxed concerts in care homes. They were the Fellow Ensemble with Wigmore Hall Learning and Open Academy from 2016-17 where they received training and worked alongside leading facilitators such as John Webb, Julian West, and Ignite Ensemble.
The Quintet are committed to exploring and expanding the wind repertoire by presenting innovative programmes. They have commissioned and premiered new works from an array of composers such as Gilles Silvestrini, Daniel Ehrlich, and Freya Ireland, with support from groups including the Royal Philharmonic Society and Duet Group. Earlier this year the quintet worked with British composer James Moriarty on a commission entitled Softly, softly, which was premiered on their Scottish Tour.
Before forming, four of its members were previously section principals in the National Youth Chamber Orchestra, whilst a fifth served in the Royal Marines Band Service. They owe their combined educational experience to the Universities of Oxford and Manchester, King’s College London, the Royal Academy of Music and the Royal Northern College of Music. All perform in various ensembles including the BBC Symphony Orchestra, Royal Philharmonic Orchestra, London Philharmonic Orchestra, as well as in West End shows and jazz ensembles.
The quintet are fortunate to have received coaching from many eminent musicians, including Angela Malsbury, Robin O’Neill, Melanie Ragge, Lis Dooner and Tim Brown. They are grateful for the support of the Tunnell Trust’s Music Coll which they attended supported by a full scholarship for two consecutive summers from 2016-17 on the Isle of Coll in Scotland.
J.S. Bach - Sonata in E Major BWV 1035 1st & 2nd movement
Ch. W. Gluck - "Melodie" from the opera "Orfeo ed Euridice" Wq. 30
W. A. Mozart - Rondo in D Major Anh 184
G. Faure "Berceuse" Op. 16 (arrangement for flute and piano)
R. Schumann Romance No. 1 Op. 94
C. Debussy "Syrinx" for flute solo
P. Tchaikovsky Aria of Lensky from the opera "Eugen Onegin" (arranged for flute and piano by Emmanuel Pahud)
Ph. Gaubert Nocturne et Allegro Scherzando
H. Mancini - Moon River
G. Douglas & G. D. Weiss - What a wonderful world
Anna Kondrashina is a prizewinner at prestigious competitions such as the 3rd Nicolet International Flute Competition and the 9th Kobe International Flute Competition.
She is currently a Master's student at the Royal Academy of Music in London, in the class of William Bennett.
Seungwon Lee is South Korean piano accompanist. She has performed in Europe since she finished her M.A on Distinction and Professional Diploma at the Royal Academy of Music in London.
Chopin - Two Mazurkas, Op.50
Verdi-Liszt - Danza sacra e duetto finale from ‘Aida’ S.436
Schumann - Humoreske Op.20
Born in Moscow, Anna Geniushene is studying for her Master’s degree at the Royal Academy of Music under the supervision of Christopher Elton, generously supported by an ABRSM Scholarship. Prior to this, she graduated from the Moscow Conservatory, where she obtained her Bachelor’s degree under Elena Kuznetsova.
Anna won the Academy’s prestigious Patrons Award in January 2018. In 2017 she won three prizes at the Ferruccio Busoni International Piano Competition: Bronze, Junior Jury Prize and the Special Prize for Chamber Music. Her early musical achievements include second prize at the Shostakovich Music Competition for Youth (1998) and the Grand Prix at the Blüthner International Piano Competition (2006). Anna went on to win many competitions, including the Romantic Music Festival for Young Musicians (2010), Città di Padova International Music Competition (2012) and Maria Yudina International Music Competition (2015), as well as second prize at the Mauro Paolo Monopoli Competition (2017) and first prize and the Audience Prize at the Sheepdrove Piano Competition, Newbury. Anna is currently preparing for the Leeds International Piano Competition, which will be held in September 2018.
Claude Debussy – Nuit d’étoiles
Wolfgang Amadeus Mozart – Flute and Harp Concerto, 2nd movement
Maurice Ravel – Piece en forme de Habanera
John Thomas – Bugeilio’r Gwenith Gwyn
Gabriel Faure – Sicilienne
CPE Bach – Hamburger Sonata – Allegretto & Rondo
Gabriel Faure – Morceau de Concours
Alphonse Hasselmans - La Source
Hugo Peretti - Can’t help falling in love with you
Henry Mancini - Moon River
Bob Thiele - What a wonderful world
Claire Wickes, having made speedy progress with positions in the BBCSO and the Philharmonia before settling in as principal Flute at the ENO, pursues a diverse career as soloist and chamber musician, and this eclectic and bold programme with the harpist Tomos Xerri demonstrates their refreshingly catholic enthusiasms.
Tomos Xerri is a multiple award winner, and in addition to a full schedule of concerto and chamber music appearances devotes considerable energy to outreach work. Their enticing kaleidoscopic programme, which will enchant and intrigue the ear, is tailor made for the lovely acoustics of St John’s.
Programme details coming soon.
Programme details coming soon.